So you've had a lovely new D-SLR camera for Christmas - what now? By Cheshire Photographer Jane Burkinshaw

Santa has been very generous and has given you your first digital SLR camera for Christmas. You've taken it out of its box, charged the battery, inserted a memory card and attached the strap - all pretty straight forward so far. You've even worked out how to set the time, date and language. Then you've turned to the next section in the manual and probably lost the will to live after about 5 minutes! Do the manufacturers not realise that manuals are mainly read by relative beginners who don't yet know their f-stops from their focal lengths?! The manual goes back in the box (with the CDs containing some software stuff that you don't think you need) and you switch the camera to the familiar green Auto setting. You take some pictures that seem to turn out all right - isn't it nice to have no delay when you take a photo and to be using something that feels like a proper camera.

However, after a little while you get frustrated. Some of your pictures are blurred and the flash fires when you don't always want it to. You had thought that by getting a decent camera you would be able to take much better pictures. You know that you're not using it to its full capability, settling instead for the "safe" Auto setting. You also think you might need another lens too, as the one you have doesn't zoom very far, but you don't know where to start and worry that you could make an expensive mistake.

Well, don't despair, as you are far from alone and help is at hand! The quickest way by far to get to grips with your new camera is to book on a course. You don't need to embark on a year long evening course, a half day or full day workshop will get you off to a great start and you can always book another at a later stage as you progress. There are lots of courses available now and you just need to shop around a bit to find one local to you, at the right level and concentrating on the right photographic subject.

If you live in the Northwest of England then look no further! I've got a full programme of courses for 2014, including courses for parents, bloggers, flower enthusiasts, as well as general beginners. I also offer bespoke sessions tailored to your skills level, camera type and preferred area of photography. I offer advice on what kit you need and what you don't! Although the magic is made in camera, you also need to know how to edit your pictures and I can share my expertise on that too.

You can also learn a great deal from reading books and browsing the internet. Personally I've found that this is only really useful once you've done a course to understand the basics, as many books and blogs assume you already understand apertures, shutter speeds, focal lengths etc.

In the meantime, whilst you decide what is best for you, here are my top tips on how to get started with your new camera:

• Shoot in natural daylight as much as possible - it's much nicer than flash. If indoors, open blinds & curtains and sit people so they are facing the window light.

• Use the P (Program setting) instead of fully automatic, as it still does all the important stuff for you, but won't fire the flash automatically.

• Look up in the manual how to see how fast your shutter speed is. To avoid blurred pictures it should be at least 1/125th of a second.

• If it's slower than this then all you need to do is increase the ISO number. Look up how to do this in the manual and then increase it until it gives you the shutter speed you need.

• If you have to use your flash then make sure you are no closer than 1 metre to your subject and no further away than 3 metres. Don't use the red eye setting, fix it later in a free editing programme like Picasa.

• Have your camera out and ready to use all the time so that you get in to the habit of taking lots of pictures. And do take lots at this stage, as you will learn from your mistakes.

• Look at other people's photographs  - in books, magazines and on forums like Flickr and Pinterest. Don't be afraid to copy their ideas in order to learn.

Good luck with your new gadget - with a bit of practise it will soon become your new best friend!

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

What sort of camera should I ask Santa for? (By Cheshire Photographer Jane Burkinshaw)

If you are thinking of asking for a camera for Christmas from Santa (aka a generous loved one), you may well be a bit confused about what exactly to ask for. I'm going to try and simplify it a little for you, based on my experience of buying cameras. I currently own 2 compact cameras, a bridge camera and 3 DSLRs, quite a few lenses and a mountain of camera bags (I seem to have an inexplicable weakness for these and can always justify buying a new one!). Running workshops has also given me insight into what people are typically concerned about and confused by.

Your choice of camera depends on what you want it for - nothing like stating the obvious - and it's very difficult to recommend one option. It may be your first camera, or an extra to be used alongside existing cameras or you could be considering trading up to a more sophisticated camera. Hopefully this summary of the options available will help you decide. I've recommended a few models based on my personal experience but always read independent reviews before you buy.

Compact camera or camera phone

Image borrowed from http://www.all-things-photography.com/digital-compact.html

Both these formats offer convenience and ease and use. We can carry them with us all the time and quickly take photographs on a variety of AUTO settings. Images can be quickly edited and enhanced - often in camera / phone - and quickly shared with friends and family. Beginners and professionals alike use them on a day to day basis but they do have their limitations - here are some:

• Delay after pressing the shutter.
• Poor performance in low light.
• Poor in camera flash.
• Can be difficult to get soft focus backgrounds.
• Despite their positioning as "point and shoot" cameras they can have incredibly complex and hard to navigate menus.

Briefly this is how I get the best results from my compact camera or camera phone:

• Shoot in good natural daylight.
• Avoid photographing subjects in bright sunlight - too much contrast with harsh light and dark shadows.
• Shoot without flash whenever possible - even at night. If you increase the ISO value you can get a faster shutter speed. 
• Think about composition as this is one element you can control.
• Use apps such as Instagram and Retro Camera to take funky, creative shots.

Taken with Instagram or Retro Camera on Android Phone

Why buy a compact camera when you can use the camera on your phone?

It's a great question with the latest camera phones giving good images. The main disadvantage of the camera on phones is that most don't offer optical zoom, so any images taken with zoom are poor quality as they use digital zoom (just magnifies the pixels). You'll notice I say most as at the time of writing several manufacturers now offer a zoom lens built into a camera phone. With this recent development some are predicting the death of the standard compact camera as all its functionality is captured within the camera phone, or soon will be. I certainly wouldn't be considering buying a new compact camera at present, but I will be reading with great interest reviews of new phone cameras with optical zooms.

Image borrowed from http://www.photographyblog.com/category/Camera%20Phones

 Enthusiast Compact Cameras

I didn't make this category up, it does officially exist and describes more sophisticated and more expensive compact cameras. I own a Fujifilm X10 that falls into this category and I absolutely love it. The image quality is superior to any compact cameras I've owned, it does superb close up shots, I can get great soft focus backgrounds and it performs well in a wide variety of light conditions, including low light. It's only downfall is lack of significant zoom - only 4X, but I accept that and take it into account when I use it. If I'm going to the zoo and want to photograph animals in enclosures I don't take the X10!

Taken with Fujifilm X10

This camera and others like it are ideal as a second camera (to their DSLR) for the enthusiast or professional who demands a bit more from their compact camera and isn't frightened of exploring all its settings and capabilities.

Image courtesy of http://www.kenrockwell.com/fuji/x10.htm

Bridge Camera, Compact System Camera or DSLR?

Typically if you are considering upgrading from a compact you will be faced with deciding between a bridge camera or a camera with interchangeable lenses (compact system camera or DSLR).

Let's look at bridge cameras first. These are so called because they bridge the gap between compact cameras and cameras with interchangeable lenses. A bridge camera offers more sophisticated performance than your average compact and usually has a very powerful zoom lens. It's ideal for people who don't want the inconvenience of carrying and changing lenses, not to mention the expense.

There are some excellent bridge cameras available, with image stabilised lenses and lots of the features and controls of SLR cameras. I always recommend Panasonic if asked as I've never had a bad experience but there are lots of options and as ever I suggest you read the reviews. Here are some of the limitations versus DSLRs (I'll come to Compact System Cameras in a moment).

• Still a slight delay after pressing the shutter.
• Such a long zoom range (sometimes up to 60X) cannot possibly produce the image quality of most DSLR lenses. Having said that they will be perfectly good enough for the amateur photographer.
• Poor performance in low light vs DSLRs as the camera sensor is smaller.

Compact System Cameras

Image borrowed from http://www.photographyblog.com/category/compact_system_camera/P20

These are a similar size to compact cameras but with interchangeable lenses and similar performance to entry level DSLRs. If you want the convenience of a small camera but the creativity and flexibility offered by having different lenses then this could be the ideal option. I've never used one and can't really justify getting one but It looks like they could have their place based on size alone . As they are a relative newcomer the range of lenses may be limited in the short term. I have also read that their autofocus system is not as  sophisticated as that of DSLRs, meaning that they may struggle to focus on rapidly moving subjects.

Digital Single Lens Reflex (SLR) cameras

Image borrowed from http://www.slrhut.co.uk

In my opinion and experience the performance of a DSLR cannot be equaled or beaten by any other camera type and if you are serious about photography - a keen amateur or considering going professional - then it's a no brainer. Yes, you have to spend money on lenses (the kit lens that comes with your DSLR body will have a disappointing zoom) and you will have to be prepared to carry lenses around and change them "in the field". But this comes at a small price when you consider the advantages of a DSLR:

• No delay on pressing the shutter.
• Better performance in low light than compact or bridge cameras.
• More sophisticated auto focus and metering systems
• Wide variety of lenses and accessories, offering unparalleled image quality and creativity.

DSLRs aren't for everyone, they are less convenient to carry around and it can prove expensive investing in lenses and accessories. But for some the barrier to trading up from a compact or bridge camera is because they think they'll be difficult to use, when in actual fact entry level DSLRs offer several fully automatic modes similar to those on compact cameras, as well as the more manual options.

To reiterate what I said at the beginning it's a very personal choice and you have to go with what feels right for you. Where possible borrow cameras from friends and try them out before you buy. If you're buying online make sure you've had chance to check the camera out in a shop first and held it.

I hope Santa is good to you - I'm not expecting too much this year as I had a very large lens from him last year and he's already warned me to only submit a small list with a price ceiling this year! :-(

I hope this was useful. If you have any questions please let me know. If you live in or near Cheshire why not book onto one of my courses and learn lots more!

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

How I got this shot (by Cheshire Photographer Jane Burkinshaw)

Click on image to enlarge

I got some lovely comments about this pic that I took and posted on Facebook yesterday. Just thought I'd share with you that I took it with a  compact camera on an automatic setting. Often it's about keeping an eye out for a nice shot where there's something interesting going on with the light and having your camera handy.

I was careful to ensure that the light was just peeking between the leaves and I could see on the LCD that it was creating a nice sunburst effect as opposed to lens flare (lines or circles of light across your shot when too much light shines directly into the light).

I also used that very handy and simple to remember composition tip The Rule Of Thirds (where you divide your shot into thirds horizontally and vertically). I made sure that the burst of light was roughly on the intersection of two of the imaginary lines.

Heres the techie stuff from the camera too in case you're interested.

• Fujifil X10 - brilliant little compact camera (doesn't zoom very far but otherwise very good).
• Shot in Program Mode (Auto but gives you a bit more control over certain settings and stops your flash firing automatically).
• The camera automatically set the shutter speed at 1/320 (my subject was nice and bright) and an aperture of f/3.6, which is why the background is soft focus.
• Flash off - flash would have killed this shot.
• ISO 250 - we'd been walking through woods and I'd increased the ISO a little bit to make sure my shutter speed stayed at 1/60 at least, to ensure a steady shot.
• The only editing I did was to crop it square as it looked much stronger that way, so I chopped of a bit of the bottom and the top. Normally I mess about a bit in Photoshop but this really didn't need it.

I hope this was useful. If you have any questions please let me know. If you live in or near Cheshire why not book onto one of my courses and learn lots more!

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

Re-sizing images with Picasa (by Cheshire Photographer Jane Burkinshaw)

Collage created in Picasa

I'm always singing the praises of Picasa to people who come on my photography courses for beginners. After all it's FREE for the full version and has no annoying ads. Just a reminder of what you can do:

• Easily view your images in one place.
• Perform simple edits including removing blemishes.
• Easily apply creative effects.
• Add text.
• Create collages, slideshows, online albums.

And it's so easy and user friendly! To go to Picasa's web page click on the link http://picasa.google.com

I only have one gripe and hopefully they're working on it as I've seen it mentioned by other people - how on earth do you re-size images to make them suitable for using online?! Given that 300 million photographs are uploaded to Facebook daily (!) you'd think there'd be an obvious  "re-size image" button on any editing package wouldn't you?!

You can re-size images with Picasa and even add a copyright statement but it's not obvious how. You have to select your images and hold them in the bottom left tray and then press EXPORT. Don't ask me why!

Click on image to see larger version

This is the pop up window you will see when you click EXPORT.

Click on image to see a larger version

Click on "Resize to" and then select the appropriate size (see my guide below). The maximum size shown is 1600 pixels but you can enter your own value that is higher or lower if you wish. I usually leave the image quality on Automatic. You can also see that you can use a watermark by entering some text and ticking the option.

It's important to specify where you would like the images to be exported to so that you can find them. I usually send them to the Desktop and then periodically delete them to clean up the desktop. Remember that your original files will still be preserved unchanged in their original location.

I usually re-size as follows:

400-600 pixels => to display on mobile phones.

600 pixels => if I want someone to see the image but not be able to print a decent version of it.

800-1000 pixels => for Facebook.

1500-2000 pixels => for Pinterest

2500 pixels => to result in an image that is between 1-2MB and could be printed 4"X6" or 5"X7".

I always copyright my professional pictures with a watermark.

These are based on what works for me.

If I'm emailing images I usually use Picasa's EMAIL button which automatically re-sizes them. Sometimes I EXPORT them first to apply the watermark and then EMAIL the exported images.

I hope this was all clear. If you have any questions please let me know.

If you live in or near Cheshire why not book onto one of my courses and learn lots more!

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

All the gear and no idea! Photography courses by Cheshire Photographer Jane Burkinshaw

All the gear and no idea!

This made me laugh out loud when Julie and Gill announced it as they turned up for their photography lesson! They are not alone in having made the step up from compact camera to SLR and only feeling confident enough to use it on the AUTO modes. Camera manuals don’t help as they are full of jargon and are unnecessarily complicated.

Your new SLR camera will take reasonable photos on the automatic settings and you’ll still be pleased that you upgraded, no doubt glad that there’s no delay when you press the shutter and it feels like a “proper camera”. However, a SLR is capable of so much more if you take charge rather than letting it be in control.

During yesterday’s two-hour lesson with Julie and Gill I walked them through some key information, settings and techniques that will make a significant difference to their photography and how they feel about their SLR cameras.

Lenses – they had both realized that although the kit lens that came with their camera gives them nice clear pictures it doesn’t zoom very far and they needed to buy a telephoto lens. After a quick explanation of the numbers on their lens (18-55mm) and talking about some of the lenses available, they both felt confident enough to start shopping around for a telephoto lens. They also wanted to know if they needed a macro lens to photograph things close up. I think they were pleasantly surprised to discover how close they could get with their existing kit lens.

A kit lens can get this close

Auto vs P – Gill was using her camera on the green AUTO mode, whereas Julie was using the P (program) mode and I explained why P is a better automatic alternative. I’m a firm believer that there’s no shame in using the automatic modes as long you know what to do if they don't give you the picture you wanted. It should be a choice to use them rather than the only option.

Soft focus backgrounds – wanting to know how to get that lovely blurred effect behind your subject is one of the main reasons people book photography lessons with me. They have often been baffled by talk of depth of field, apertures and f numbers. By the end of the two hour lesson Julie and Gill knew how to use their cameras on the Av setting to blur the background, whilst keeping an eye on the shutter speed and how the ISO setting can help when the light isn’t very good. Our mosaic frog was an obliging model!

Soft focus background using the Av setting

Composition – it’s amazing what a big difference a few simple composition tips can make to your photographs and I shared these with Gill and Julie. They were quick to pick up the technique of Focus Lock that allows you to put the subject of your photo anywhere in the frame and not always in the centre.

Using focus lock to put your subject off centre

With all that covered in just two hours there wasn't time to cover editing photographs – that’s a separate session – but I did point them in the direction of Picasa, a free programme from Google that allows you to perform basic edits and create some really good stuff.

From their enthusiastic comments I think Gill and Julie left brimming with confidence and keen to try out all the tips and methods we’d covered. I’m looking forward to seeing their photographs on a Facebook Group that all my “students” are invited to join. I hope they’ve ditched the phrase “All the gear and no idea” now!

If you feel that you have all the gear and no idea, take a look at the course programme for 2013/14 and if you can’t make any of the dates then why not book a bespoke session – share the cost between up to four people if you prefer. 

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

50/50 project #37/50 In the round (by Cheshire photographer Jane Burkinshaw)

Day 37. In the round.

50 days with a 50mm lens

Ok, confessions first. This project was originally about taking a photo every day with a 50mm lens for 50 consecutive days... major fail! This is probably day 75 so I've really fallen behind. But having got so far I don't want to abandon it so will carry on, on the premise that I will have taken 50 photos with a 50mm lens when I finish.

So, after a considerable gap here is photo number 37. This is a silver coloured globe in our pond and I love the reflections of our house (the white building at the top), the rather dominating gable end of our neighbour's house, our slightly trendy green sail, the umbrella, fountain and pond grasses. Oh, and me of course, hidden safely behind the camera.

Quite a tricky photo exposure wise, with dark areas of the pond and the very bright sky. The only way to capture the clouds and jet trails in the sky would have been to combine multiple exposures in Photoshop. You can see the image where I exposed for the sky below.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

5 reasons why you should do a photography project (by Cheshire Photographer Jane Burkinshaw)

All 366 images taken during my photo project in 2012
(Click to enlarge)

I love babies and (most) kids and for some crazy reason I like to earn a living by chasing them around with a camera, capturing natural photos of them and selling them to their parents. Newborn babies are my favourite subjects as they don't get about so much and because they are without exception extremely cute.

In 2011, however, I started to feel the desire to photograph something in addition to little people. I looked back fondly to my days as a mature photography student, when I worked on projects that made me explore different photography techniques, use various forms of lighting, photograph everyday mundane objects and create striking images. For an assignment called "Silhouettes" I even photographed a Barbie doll being chased down a dark corridor by a wooden mannequin!

During yet another evening of browsing online photography forums I came across the concept of taking and posting a photograph a day for a year. I was immediately hooked and 1st January 2012 I began my 366 project with a shot of empty bottles from our New Year's Eve party. I posted the image on my Facebook page for Picture It Big and on a website called The 365 Project (www.365project.org). As each day went by I got more support and comments on my images and was spurred on to keep posting. I even felt as if I would be letting people down if I didn't. This played a big part in ensuring that I stuck at it for the whole year. 14th December 2012 was my only major fail when I completely forgot to take a shot and uploaded a picture of our calendar with a big red "F" for fail scribbled on it.

A friend presenting my photo book at a networking event

I've just got round to completing a photo book containing all the images, a truly rewarding task seeing all my hard work presented over 98 pages. It struck me again how much I gained from this year long project and I want to share with fellow photography enthusiasts seven reasons  why they should take up some sort of photography project or challenge.

1. Get out of a rut 

If you feel like you are shooting the same old stuff all the time and not feeling very creative, then an exciting and challenging project is just what you need to make you feel a renewed enthusiasm and creativity. Before long I was digging lenses out of my camera bag that I hadn't used for months or even years. I had been shooting kids on the Av setting for years and it was fun to start using Tv and experiment with  long exposures to blur movement or to capture the sky at night. I started to use different effects in Photoshop - selective colour, filters. I played around with still life on different backgrounds, reflective surfaces, using natural light, reflectors and continuous light. I tackled street photography and photographing strangers - way out of my comfort zone. Some days I used a DSLR, other days all I had was my camera phone or a compact. Some of my favourite images were with my phone where you are forced to work really hard getting the composition right.

2. Improve your photographic skills

I am amazed at how much my photography improved over the course of the year and what I had learned. It's easy to stick to what you know especially when you are working to deadlines but but we can all learn new stuff if we put our minds to it. I started to shoot on Manual for the 365 project and before long I was doing it during all my professional shoots too. I learned how useful Live View is in making sure your focusing is spot on.

3. Train your eye to see images everywhere

At the risk of sounding like a geek I was getting out of bed in the morning already thinking about what that day's image would be. I'd turn my breakfast plate around wondering how to capture bacon in an interesting way or stare at ripples in puddles as I walked the dog. You can find a creative shot anywhere when you put your mind to it.

4. "Meet" like-minded people

I've already said that without the support of people on Facebook and The 365 Project I would probably have given up, missed days out. It was so rewarding and motivating to get comments from people in countries on the over side of the world and to see their images, which opened a window on their worlds - exotic flowers and birds, different cultures, amazing scenery. People's pictures and their commentary could be quite personal and revealing about their lives, as we often use our cameras to mark significant life events. During 2012 we lost my husband's mum and then our boxer dog died of cancer a few months later and we received a great deal of support from the online forums.

5. Create a visual record of a period in your life

What I didn't expect out of the project was to get such a great visual diary of a year in our lives. Inevitably I took pictures of the everyday, the mundane as well as celebrations, holidays and special occasions. I never tire of browsing through the images, seeing the seasons change, remembering what we doing and where we were when I took the picture. It was a good year for Britain with the Golden Jubilee and the Olympics and this is reflected with a shot of the Olympic Torch in our local town and lots of union flags in other shots.

If you'd like to see the photobook I created and had printed click on the link.

http://www.bobbooks.co.uk/bookshop/366-days-through-my-lens

I hope you are inspired to start your own project. It doesn't have to be for a year and it could be on a particular subject. I've recently been doing 50 days with a 50mm lens (not quite so successfully!). I also bought a book called "Photocrafty: 75 creative camera projects for you and your digital SLR" by Sue Venables and there's definitely some inspiration in there.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

50/50 project. #36/50 Cupcakes (by Cheshire photographer Jane Burkinshaw)

Day 36. Cupcakes

50 days with a 50mm lens

Bit of a foodie theme this weekend with cupcakes from a charity cake sale today. A 12 year old girl in our village is well on the way to raising £2000 for a charity that her nan has set up to help a school in Kenya. Can't help but admire her energy and resolve - and baking skills!

The Mary Wood Trust

If you'd like to know more about the charity get in touch and I can give you details.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

50/50 project. #35/50. Churros. Nom nom (by Cheshire photographer Jane Burkinshaw)

Day 35. Churros. Nom nom

50 days with a 50mm lens
It was foodie heaven at the Nantwich Food & Drink Festival this weekend and also a treat for me with lots of colourful food and people to photograph! Firm favourite with all four of us were the churros with warm chocolate dipping sauce, well worth the 20 minute wait in the queue.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

50/50 project #34/50 Bad laundry day (by Cheshire photographer Jane Burkinshaw)

Day 34 Bad laundry day

50 days with a 50mm lens
Call me sad but I love this cheap little laundry dryer. It makes hanging out socks and smalls so much easier - less bending down to the peg bag must be better for my poor aching back!

This pic also gives me chance to "air" one of my grievances - people who tumble dry all year round and don't ever peg out laundry outside, even on sunny days. What wanton wastefulness and idleness!! I just can't understand it and don't believe that being supposedly time poor or not wanting stiff towels are valid excuses. Even when I'm in a hurry, the sight and scent of freshly washed clothes hanging in orderly rows lifts my spirits.

Folding warm washing fresh from the tumble dryer is a pleasure I save for wet days like today.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

50/50 project. #33/50 Headline news (by Cheshire Photographer Jane Burkinshaw)

Day 33. Headline news

50 days with a 50mm lens

This attention grabbing headline certainly worked on me!

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

50/50 Project. #32/50. Summer stripes (by Cheshire Photographer Jane Burkinshaw)

Day 32. Summer stripes

50 days with a 50mm lens

The best summer in years is drawing to a close and one of the things I'll miss about it the most is lying in dappled shade in my hammock, swaying gently whilst looking out over the garden, reading or snoozing.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

50/50 project. Day 31/50 !Yo Sushi (by Cheshire Photographer Jane Burkinshaw)

Day 31 !Yo Sushi

50 days with a 50mm lens

I've finally given up on my 50mm f/1.8 lens which has been struggling since I dropped it (it was knocked out of my hands by a boisterous puppy!). Focusing has been hit and miss and it's been making grating scratchy noises. With my birthday imminent I've been treated to the Canon 50mm f/1.4 today - a more grown up version - faster, quieter and with even more bokeh! So here's the first shot taken at my birthday lunch at !Yo Sushi. I had to wait ages for the conveyor belt to be full of dishes on both sides and almost had a Miranda moment with my scarf!

I thought the new lens deserved a try out on a serious camera so this was taken on the 5D Mk II.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

50/50 project. #30/50 Making Waves (by Cheshire photographer Picture It Big)

Day 30. Making waves

50 days with a 50mm lens

Suddenly it feels like Autumn with a nip in the air and a cold breeze which was whipping up waves on the surface of the lake.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

50/50 project #19-29 (Photography courses Cheshire with Picture It Big)

50 days with a 50mm lens

On our recent holiday in Pembrokeshire I had loads of opportunities to do the daily 50/50 shot and managed to keep it going throughout. Where I fell down was getting access to my laptop and precious WiFi - the kids won out each time so I hardly posted any of my shots. So here they all are - day 19 through to day 29, each with a brief commentary. It's been fun looking back on what we got up to - what would we do without photos to bring back those precious memories?

Day 19 Coastal Flora and fauna

The amazing colours, textures and smell of the heathers and ferns on the cliff tops and along the coastal paths remind me so much of childhood holidays in the UK.

Day 20 Walking (sitting) on water

We tried to balance days at the beach with more active days and all absolutely loved Heathertons Activity Park. They even let dogs in so Ferb got to watch us on the zip wire, go karts, golf, shooting, zorbing and more!

Day 21 Pebbles

What is it about pebbles on the beach? Sam and Nic loved skimming them across the surface of the waves and Ferb tried pointlessly to retrieve them (dumb dog!), whilst Abi and I hunted out special ones and built towers.

Day 22 Rusty mooring at Porth Clais 

A morning's kayaking instruction for the kids led to us discover a beautiful little harbour just outside St David's called Porth Clais. It was very sheltered, perfect for learning how to kayak and with a tiny National Trust cafe it was unspoilt and quiet. Whilst the children paddled off into the distance we watched families arriving to drop crab lines off the side of the slipway and read our books in the warm sunshine.

Day 23 Rusty railings in Solva

Solva is a lovely little port (best seen at high tide) with a clutch of shops and galleries and a very nice pub. A restaurant called the Old Pharmacy had closed down since we were last there and was on sale for £295k - we were tempted!

Day 24 Catching some rays in cool shades

We soon worked out that the boys got bored sunbathing whilst Abi and I were happy to sit for hours and people watch at the beach. My little girl is growing up fast.

Day 25 Early evening in Porth Clais

We headed up the coastal path to a rocky outcrop for a spot of early evening fishing but I feared for Ferb's life as he leapt across the rocks, so I took him down to safety of the harbour. This time the tide was out and we walked along the beach where boats were moored high and dry, waiting for the tide to turn.

Day 26 Meet Philippe Phlop

Family holidays are great for forcing you all to spend time together and I really enjoyed the banter and jokes. I can't even remember why we named my flip flops Philippe Phlop but it stuck and had us in hysterics (almost certainly one of those times when you had to be there for it to be even remotely funny!)

Day 27 In search of Dobby

Dobby the house elf was laid to rest in the dunes at Freshwater West so we went looking for his grave (as you do if you have Potterheads in the family). We expected at least a sign post or a gift shop with a few bits of Potter paraphernalia, but there was nothing apart from a spectacular windswept beach and a top beach deli.

Day 28 Surf's up at Whitesands Bay

Following a day of strong winds and driving rain (the only one in 14 days) the sky cleared in the late afternoon and we headed down to Whitesands for a walk. The high winds meant that the waves were big and the surfers were out in force. I could have sat for hours watching the waves with the sun and wind on my face.

Day 29 Doggy days

Taking a dog on holiday can be a bit restricting - many beaches don't allow dogs in the summer, you can't leave them in the car in warm weather, they can't be left in the caravan for hours on end and you have to sit outside pubs and restaurants with them. But Ferb went everywhere with us and looked as if he had an amazing holiday with his humans. He swam in the sea with the kids, dug holes on dog friendly beaches or just lay down to sleep next to us - Nic even used him as a pillow when he snoozed on one beach.

If you'd like to see more pics from our Pembrokeshire holiday watch out on the blog over the coming weeks as I'm putting a digital scrapbook together.

If you'd like to learn how to take great holiday pics get in touch to book a workshop or one to one class with me. Details are on the Picture It Big website.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!