Easter eggs, tulips and...sunburn...?!

Easter was ages ago wasn’t it? It feels like it especially with wedding fever having dominated in the intervening period. But it was only less than a week ago on Easter Sunday that we went to Quarry Bank Mill http://www.nationaltrust.org.uk/main/w-quarrybankmillandstyalestate for a picnic with my great nephew – that’s not my “fantastic” nephew (although he is), but my “great nephew”, as in I’m a Great Aunt (feeling old)! You’re always guaranteed a good day out with the National Trust – this isn’t a sponsored plug, just my honest view as a mum and garden lover. If you're a member it feels like a free day out too – there were six of us and we spent a grand total of £8.60 between us on ice creams, and as the photographs will evidence, we had a really great time.

After a picnic on the grass by the car park we headed down to the meadow where staff from a certain chocolate company were organising events for the kids. It was busy but not crazily so and our guys had a go at just about everything. I was majorly impressed with the face painting especially Sam’s slightly angry chicks and Abbie’s rainbow, which was done in one stroke with some great gadget. First photo lesson coming up – like any proud parent I wanted to photograph the face paints before they got smudged and the first picture I took of Abbie didn’t work because the sun was just way too bright – just look at the harsh shadows and contrasts on her face. There are two ways to get round this; one is to turn your flash on – the camera will fire what’s called a “fill in” flash, just enough to get rid of the shadows. It works but looks a bit false. The best solution is to get the person to move into a nice shady area and take the shot without flash – this looks much more natural. But of course your model might not always want to do as you ask! Luckily Abbie obliged after being blackmailed with ice cream (after the photo!).

Have I mentioned that it was a belter of a summer’s day (at the end of April!) and we couldn’t have been seeing the gardens at Quarry Bank Mill on a more beautiful day. But bright sunshine does create lots of challenges when you’re trying to take photographs of pretty much anything and you really have to think about what you’re doing if you want to get some nice shots. The camera can struggle to capture what you see with your eye and contrasts between shadows and sunlight will be much starker than with the naked eye. Case in point - just through the entrance of the garden is a path alongside a glade carpeted with bluebells and in the distance bright splashes of colour from the rhododendrons. This looked lovely but was impossible to photograph because the foreground was dark, a shaded glade, and the background was very brightly lit by the mid-day sun. Later or earlier in the day with the sun at a lower angle this might have been possible. Sometimes you just have to look for a different shot.

The garden at Quarry Bank is spread along a number of terraces up quite a steep bank (hence its name!) and at the lowest level by the river there is a path lined with the aforementioned rhododendrons (I’ve just recently found out that azaleas are a type of rhodendron so I can now stop fretting about which is which and just lump them all together!). With the sun filtered through trees and bushes to the left I was able to take a nicely lit shot of the pretty pathway. I cropped out as much of the sky as possible as it was so bright that it was white and wouldn’t have added to the shot. I also did some close ups of the rhododendron flowers as they were breathtaking, but I made sure to pick flowers in the shade or in soft, dappled light.


The deep purple tulips on the lower terraces were the real stars for me and I spent ages taking a variety of different shots, some wider angles and lots of close ups with the light shining through the petals. You can see in the collage the dramatic changes in colour caused by the light. The tulips in the shade were a blackish purple whereas those lit by the sun were a sparkling deep ruby. All were set off so perfectly by the green stalks and leaves and flashes of blue from the bluebells in between.

As you climb steeply up the terraces (or take the gentler zigzagging path) you are quickly rewarded with views across the garden to the mill in the background. I’ve photographed from this viewpoint in the autumn when the leaves have turned gold and red and it’s a lovely vista then too.

At the top of the garden there’s another area of bluebells and this time I could use the light to my advantage and get a sense of a shady glade that was a resting place for some people after the steep climb. Others chose to stop awhile under the magnificent handkerchief tree in the grassy meadow just beyond.



 
 
 
 
 

I stopped off one last time at the tulips before I left the garden - I felt as if I wasn't done with them yet. I did some more close ups, this time with my 60mm macro lens. I also collared Abbie into posing in front of them for me and this demonstrates nicely why a macro lens is often also called a portrait lens.


We didn't go into the mill this time - I've been twice on school trips as an accompanying mum - this trip is always popular as we have to go off to the restaurant for cake whilst the kids experience Victorian schooling at the Apprentice House! On a less gloriously sunny day the mill is well worth a visit - there's often some craft making activity and something to interest everyone.

So, another garden visited at this amazing time of year, when nature wakes up after the winter and announces it with fabulous displays of colour in the form of daffodils, then blossom, bluebells, tulips and azaleas. For the last few years at least we've had periods when the sun seems to shine for weeks on end and yet again I've been caught out and got a sunburned nose at Easter!


Technical Info: I used my Canon 350D and had two different lenses to choose from. Most shots were taken with the 17-40mm lens and usually in Program Mode. The close ups of the tulips and the final portrait of Abbie were taken with the 60mm prime lens on Aperture Priority. I used a feature called Exposure Compensation quite a lot as it's a quick and easy way to make shots brighter or darker. If your camera has this feature it's well worth checking out ... I feel another blog coming on for this!

This blog is also published on the Cheshire Life web site http://cheshire.greatbritishlife.co.uk/community/blogs/entries/jane-burkinshaw-photographing-cheshires-gardens/id/379/

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

In awe of tulips

I’ve been visiting Bluebell Cottage Gardens (http://www.lodgelanenursery.co.uk/) near Dutton for several years and have photographed it right from early Spring to late Summer, witnessing neatly edged flower beds with low clumps of new growth transform into borders overflowing with colour and texture. The garden is named after the adjacent bluebell woods which are currently in flower. I didn’t have time to photograph them on this visit (you’ll soon find out why!) but have done so before. The garden itself is lovely to stroll around, with some very different areas and lots of shady places to sit awhile. I think what I love about it is that it gives me the feeling that it’s do-able or achievable to some degree in my own garden. I could never create a garden like it by myself but I could take an idea and do something that is inspired by what I’ve seen. And chances are you can buy the plants in the nursery and also get advice from the owner, Sue Beesley.

I had a different reason for being at Bluebell Cottage Gardens yesterday – I had permission from Sue to sell pink cupcakes to garden visitors to raise money for charity – my daughter and I are taking part in Race for Life in May (if you would like to support us or find out what we’ve been doing visit our Race for Life page http://www.raceforlifesponsorme.org/janeburkinshaw0309). The wonderful cupcakes were very kindly donated by Heather's Cupcakes - you can contact her on 078434 85500 or follow her on twitter @heathercupcakes.

At the end of a very enjoyable day selling sweet confectionary creations to lots of lovely and often very interesting people, I finally got chance to go into the garden. I was tempted to go straight home and put my feet up but Sue persuaded me to have a look at the tulips and I’m so glad she did. The early evening light was marvellous – I don’t usually get chance to photograph public gardens at this time of day. So the topic of this blog is inevitably light and how to maximise it.

The tulips were the show stoppers in the garden and are also my all time favourite bloom, both as a flower to appreciate in the garden and as cut flowers, but also as a photographic subject. My natural style is to get up close and photograph a single flower or a small group, with a shallow depth of field (only a small area of the shot in focus and the rest very soft and blurred, achieved by using the Av setting and choosing a low f value such as f2.8 – f4.0) as I love the painterly effect this creates.

However, I also wanted to capture some vistas of the garden so I made myself stand back and take some wider angle shots. It was as I was doing this that I saw how the low sun was backlighting some of the tulips, making them appear to glow from within. Usually I preach that you shouldn’t photograph flowers in direct sunlight, nor to shoot in the direction of the sun, but this was the time to break the rules and make the most of this magical light.

Once I’d satisfied my desire to get some close ups I hunted around for some viewpoints where I could capture the beauty and presence of the tulips within a larger vista. I looked particularly for places where they were still illuminated from behind by the sun and then tried shooting from different heights, simply standing or kneeling to see how it altered my perspective. It’s always worth experimenting with landscape and portrait shots of the same scene. I often do both and then choose later. I much preferred the landscape shot of the dark red tulips and the lower angle. I made the tulips the point of focus and softened the background to create a complimentary backdrop and to also give a flavour of the rest of the garden.

On the way home I stopped off at the supermarket to buy emergency Easter eggs (nothing like leaving it to the last minute!) and treated myself to a bunch of purple tulips. They’re lovely but nothing like as beautiful as those back lit by the sun in a garden where I could feel the last warmth of the evening sun, hear the sounds of birds calling and, bizarrely, listen to people chatting as they prepared their supper aboard a boat on the nearby canal.


This blog is also published on the Cheshire Life web site.
http://cheshire.greatbritishlife.co.uk/community/blogs/detail/in-awe-of-tulips/id/4646/

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

Where to start...

A perfect Friday afternoon in early Spring – warm sunshine, a light breeze and clear blue skies. Catch up on some emails or escape to a local garden, take a few pics and enjoy a cream tea? Before you could say “cheese” I had packed my camera bag, raided my husband’s wallet, left a reminder to pick the kids up from school and jumped in the car.

Arley Hall is just down the road and although I’ve been there several times I haven’t photographed its lovely formal gardens. Actually I was in for a bit of a surprise as it wasn’t the latter that held my attention on this visit, but rather an area that I was directed to by the lady behind the counter in the gift shop – the Grove and Woodland Walk. It’s easy to miss these unless you pay careful attention to the map or are tipped off as I was. Instead of following the signs to the gardens you have to head off to the left towards the Chapel – itself well worth a visit especially when it’s decked out with flowers.

As I approached the Grove I was struck by the usual dilemma of where to start taking photographs. Everything looked so beautiful, especially given the perfect weather conditions, and it’s tempting to just click away at everything. Experience has shown that it’s better to give it a little thought and have a plan of sorts – but nothing too rigid as you never know exactly what you’re going to come across. I find that trying to bear the following few points in mind will help to focus your attention and stop you from just “firing at will”.

Capture a sense of place... try to consider what makes this particular place memorable for you, which features and aspects. For me, at Arley Hall, it’s the clock tower first and foremost. It is pretty rather than imposing and it can be seen from almost everywhere in the gardens. The first view of the clock from the end of the Pleached Lime Avenue never fails to please visitors and it must surely be a very well photographed view. I particularly liked the criss-crossing shadows formed by the trees.

If you’re photographing flowers and plants in gardens that you go to, it’s inevitable that you will capture the season during which you visited, but by ensuring that you also make a concerted effort to capture a sense of place, you will avoid the feeling that those pictures of daffodils or cherry blossom could have been taken anywhere. I try to have a mix of close ups of particularly spectacular blooms and vistas that indicate where I was.


 The magnolias are the show stoppers at Arley at this time of year. They are so large and showy and seem to know that this is their time to shine, after the best of the blossoms and before the rhododendrons and azaleas burst onto centre stage. They are not the easiest of flowers to photograph as they tend to look better from a distance, like delicate coloured hankies attached to the branches but I found that by looking up I could put them against the deep blue of the sky.


Later on, as I wandered through the formal gardens I was on the hunt for a different view of the clock tower. I found it in the Kitchen Garden, with another magnificent magnolia tree in the foreground and the clock tower against the blue sky in the background.

I’m acutely aware that I’ve mentioned the deep blue sky several times now and that brings me to another key point on your mental checklist. Before you start shooting away, especially on a bright, sunny day, consider the position of the sun. In the direction of the sun, the sky will appear almost white (unless you’re lucky enough to be visiting the garden at sunrise or sunset) and will not add anything to your scenic pictures. Consider cropping the sky out altogether rather than having an expanse of white nothingness at the top of your shot. The sky will be at its most blue in the opposite direction to the sun and ideally you need to shoot in this direction.

Bright and sunny conditions are problematic when you are photographing flowers in the garden. What looks like a beautiful flower in bright sunshine may look very different in your final shot, with harsh bright areas and deeply contrasting shadows. It’s always better to photograph flowers in even, filtered light or sometimes in gently dappled light. I experimented with this in the Glade where there were some magnificent early rhododendrons in flower. Rather than the obvious shot of the sunlit flowers I crept around the back of the bush and photographed the blossoms in the shade. (I hope I didn’t startle too many other visitors as I popped out from behind bushes!).

If you would like to read more on the subject of the right light for photographing flowers see my blog post Photographing flowers.

 Go for variations of the obvious shots. Everywhere you visit has a view that everyone photographs, like the Taj Mahal with the long pool in front of it. Gardens are no exception and you’ll recognise them from the garden’s literature or by the amount of people jockeying for position in certain places. There are various aspects of the formal gardens at Arley that are probably photographed by every visitor – the view down through the Walled Garden, Ilex Avenue lined with its imposing columns and the Tea Cottage.

There’s nothing wrong with wanting to photograph these beautiful places, but you’ll be more proud of your images if you manage to give them a slightly different twist. For example I included the branches of a magnolia tree in the foreground of my shot of the Tea Cottage. Ilex Avenue was more of a challenge as the sun was high in the sky and the columns cast very large black shadows. I did settle for a rather obvious shot in the end and found myself wishing for the first time that afternoon that I’d got my daughter with me to photograph on the steps leading up to the Avenue. I waited for a while for all the people to disappear out of view – folks do amble slowly when they’re garden gazing!

I hadn’t realised that Arley also has a rock garden tucked away in a far corner beyond the tennis courts. It was really peaceful and I could have sat for a long time listening to the water tinkling on the rocks, but I didn’t want to miss out on a cream tea on the Tea Lawn by the Tudor Barn! As I hurried towards the garden exit I was stopped in my tracks by the sight of two lambs snoozing under a tree with their mum. A reminder that Arley Hall is set within a larger working estate and a perfect closing shot for my visit!


As usual I am already planning a return visit – most likely in July or August when the Herbaceous Border will be at its best. I’m also going to be watching out for Arley opening its gardens for an evening event and being able to capture the gardens in a totally different light.

This blog is also published on the Cheshire Life website.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

How to take great pictures of babies

From the moment they explode into our lives babies are amazing! For something so small they have a massive impact on everything we do. Life as we know it ceases to be and the world revolves completely around them. We are totally governed by their every need and mesmerized by their very prescence. Go on, admit it, you've idled away many a moment just watching your precious new arrival sleeping and breathing. It's no surprise that we take literally hundreds of photographs, trying to capture every expression and moment. And it's not easy is it?! New babies sleep for England and when they're awake their eyes can't focus and can look a bit bozz eyed for the camera! Well, here's a few helpful hints to ensure that you make the most of this magical, albeit brief time.

Place baby on a sofa covered by a blanket to create a neutral background.

Location: Put your baby in a snuggly, safe and warm place in front of a window where the natural daylight from outside is falling onto them. Floor to ceiling windows are best. If the window is higher up then place baby safely on a sofa or bean bag. If you cover the sofa in a neutral blanket it creates an uncluttered background. Avoid areas of bright sunlight as it creates harsh shadows. Just move back away from the window a little. My children used to have a crib under the living room window and in the afternoon the light was wonderful. Hold your camera nice and steady, lean against a wall for extra support if possible.

Clothing: Personally I think new-born babies look amazing in the altogether - their skin is so precious. You have to be careful to arrange limbs and shoot from the right angles of course and sometimes I use blankets or muslin cloths to preserve baby's modesty! Knitted hats and bootees can look very cute, especially if they are special gifts.

Camera settings: Whatever type of camera you are using, make sure your flash is turned off! If you are using a point and shoot compact camera or phone just take pictures from lots of different angles and zoom in to capture close ups of feet, hands and faces. Try using the Macro / flower setting to get some real close ups.

If you are a little more adept with your camera then take into account the following too: ideally you need a shutter speed of 1/60 minimum - you should be able to see this displayed on your camera LCD or in the viewfinder. If it's less than 1/60 try increasing the ISO number. Using the Program mode will allow you to get some nice shots, especially if you zoom in on details, but try using the Av / A aperture setting and try different low apertures such as f/3.5 or lower and close up shots to focus on tiny details and blur the background. If you are using very low apertures you need to be very careful where you focus. If you have time to plan ahead a 50mm fixed lens will give some great results.

Photograph newborns when they're asleep... because it's easier and also because they look so cute! In the first two weeks a newborn baby will still tend to curl up its legs and arms when asleep and it's such a beautiful pose. The best time is when baby has been changed and fed and has gone into a deep sleep. I'm sure you've realised that nothing short of an explosion will wake them and it's surprisingly easy to move them into nice positions.

Having said that, it's lovely to get some pictures of eyes open and new babies have some extremely comical faces - even mid cry!

Photograph hands and feet... and include your own hands for a sense of scale and to create a picture full of emotional impact. And don't forget to photograph those all important little bootees and gifts, again putting them in natural daylight near a window.

For ideas and tips on how to photograph babies Pinterest is an amazing resource and I've collated quite a few boards full of gorgeous pictures and useful suggestions.

If you've enjoyed my blog please leave me a comment! If you're interested in photography lessons or know someone that would like a newborn shoot then please just get in touch with me!

jane@picture-it-big.co.uk

Tel: 07868 750505

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!