Friday, 24 January 2014

Wintry walks with a compact camera (by Cheshire Photographer Jane Burkinshaw)

I've been desperate for some proper wintry weather, a hard hoar frost to transform everywhere into a glittery winter wonderland, or a decent covering of snow just for a few days, preferably over a weekend. Instead it's been mild, wild and wet for the most part, depriving us photographers of any typical winter landscapes to get excited about. If it weren't for Ferb, our Italian water dog (a lagotto  if you want his posh name) I would have stayed indoors waiting for more exciting and photogenic weather to arrive. Our energetic dog lives up to his name and needs his daily splash in filthy water, so we've been out anyway and along with lead, treats and poo bags, I always pick up a camera on the way out of the door.

Occasionally I have a photographic mission in mind and will take a SLR and specific lens along with me, my "nifty fifty" for arty, soft focus shots of forest and fauna, or "big boy" (my super fast Canon 70-200mm f/2.8) for action shots of Ferb haring along woodland paths chasing squirrels. Lately, due to an increasingly painful tennis elbow (or in my case photographer's elbow) I've had to opt for a much lighter load, so it's the Fujifilm X10 that's accompanied me. Not that I'm complaining as it's a wonderful little camera, with a maximum aperture of f/2.0-2.8, beautiful colours and great performance in low light. A whole load of other typically Fuji features make it a joy to use, much more than a point and shoot compact. The zoom is a bit limited at 28-112mm but for general shots of landscapes, close ups and portraits (usually my husband or the dog!) it's perfectly adequate. If you'd like to see more images taken with this lovely camera see my Pinterest Board.

All taken with the Fujifilm X10. I had some fun editing them too with actions in Photoshop Elements.
You might wonder what I've found to photograph on our muddy walks, but if you've got the clicking bug like me, then almost anything can be transformed into a picture if it catches the light in an interesting way, or if you can see a striking composition. I have a thing for trees at the moment, but haven't quite mastered how to shoot them when there's a lot of other trees around them creating clutter. Watch this space for a tree project one day. On our last few walks we've had a few sunny spells and the low winter sun has created slanting shadows through the trees.

Top tip for this time of year
  • Wintry light can be quite dull and if you are photographing anything that moves you need to watch that your shutter speed doesn't get too slow. It needs to be at least 1/250th of a second or your moving subject will be blurred.

  • Check your shutter speed as you take the picture. As you half press the shutter button it will be displayed on the LCD display or in the viewfinder.




  • Or after you take the image and are looking at it, if you press "Display" or "Info" (depending on your camera) then you can usually see what shutter speed you used.

  • If it's less than 1/250th then you need to increase it. If you're using the green fully automatic mode then you need to change to P (Program Mode) by turning the dial on the top of your camera. The camera still does the important stuff automatically for you but you can take charge a little.
  • Now look up how to change the ISO setting. This might be a button on the back of the camera or in the menus. Increase it to a higher number until your shutter speed is fast enough. You can check your shutter speed by half pressing the shutter down as you focus on your subject and checking what number it displays.

  • You can do all of this on any type of camera apart from the majority of camera phones.

Knowing my way around the camera, being aware of what the camera can and can't do on the Auto settings and knowing what to do if the light is tricky is second nature to me now and I can concentrate for the most part on "seeing the image". If something happens unexpectedly I am ready to catch those spontaneous moments (or some of them at least!). Photography is a constant learning process for me, and probably for everyone and that's one of the things that makes it so addictive and enjoyable.


If you'd like to get to grips with your camera then why not book a course or one to one lesson with me. This all becomes second nature very quickly when someone shows you how to do it and it will make a dramatic difference to your photography.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!


Sunday, 19 January 2014

In 2014 I resolve to… (by Cheshire Photographer Jane Burkinshaw)

Is it too late to be talking about New Year's resolutions? It usually takes me a few weeks to work out which ones I'm serious about and therefore have a chance of actually keeping for a while. On New Year's Day I'm usually suffering a tad from the night before (if not from the effects of the whole of December) and I vow to cut down on wine consumption and with that goes losing a few pounds and getting fitter. Yeah well, I know in which direction those resolutions quickly go and it's not up! I have spent a few quid on a phone app that measures how far I walk with the dog and I'm cautiously optimistic that I will get a bit fitter that way.

Now that we've passed the mid January mark I've settled on some resolutions that I've had time to think about a bit more and - surprise, surprise - they are photography related all the way! I've made a few business ones and overall they are focused on making a living from the things I really enjoy about photography, but I'm keeping them under my hat for the moment! I can share with you the resolutions I've made regarding my personal photography:

To be in more photographs. I hate pictures of myself and delete most of them before they have a chance of being seen by anyone else. I do not exist in albums or sideshows and this is sad. I also realised that as time passes we become more forgiving and I now quite like pictures of me that I used to hate and see them for what they are. An image of me looking bloated and exhausted after giving birth to Abigail, is actually a lovely shot of me in the first moments of motherhood.

I hated this when it was taken in 2001. I love it now, especially the way Abigail is doing Phones 4 U with her fingers!
So I took my first selfie late last year and posted it on Facebook. No one wrote rude comments, not even my brother, in fact some people were quite complementary. 

My first (and to date only) selfie
I was even more daring when I included in a slideshow a picture of me slumped asleep on Christmas Day.

The only picture of me Christmas 2014… oh dear.
And again, the world didn't stop turning and I wasn't banned from Facebook for offending public decency. I love my family and I love remembering where we've been and the stupid things we've done together. But where are the shots of me hugging them, laughing with them and being hugged back? So watch this space and apologies if I'm not always airbrushed within an inch of my life! And of course there's a chance that knowing I'm going to be photographed more might drive my never quite achieved fitness and weight loss goals!

Get photographs off the computer and into photo books. I suspect we're all guilty of doing nothing with our digital images and I find it a bit frightening if I'm honest. When we are dead and buried will our children know where to find all our photographs in the Cloud or on our hard drives? They won't have heavy, battered albums with yellowed tissue paper separators to leaf through and reminisce about. So I'm resolved to create an annual photo book, no mean task as I went digital in 2001. But it will be well worth it, as I imagine our great grand kids looking through them and asking who is the blond lady who isn't in many pictures?! (Until 2014 that is, of course!)

I've created lots of photo books for clients and recommend Bobs Books for their quality and colour accuracy. The software is quite easy to use and layouts can be easily customised. Delivery is quick, rare problems are resolved quickly and without quibble. They are not the cheapest photo book supplier but that's because they're good. For everyday albums go for their standard quality but if it's for something a bit more special it's well worth paying that bit extra for "photographic quality" paper. Aside from superb print quality the pages lie completely flat so you don't lose part of the image in the book spine.


Photographic quality book from Bobs Books
I was sorely tempted to add a few more resolutions but instead think I'll store them under Projects I Hope To Do In 2014. I've more chance of sticking to a couple of resolutions rather than a long list. Feel free to challenge me and ask how I'm getting on. If I do well it should be obvious on Facebook. And I'd love to hear if you've set yourself any photography related resolutions.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

Monday, 13 January 2014

Baby Harriett's first photo shoot (by Cheshire baby photographer Jane Burkinshaw)


I photographed Harriett back in October but couldn't share many of her pictures until now, as her parents were giving framed images as Christmas presents. The lucky grandparents had no idea that Harriett had even had a photo shoot and were bowled over by the pictures. I'm really happy to be able to share them now as she is a beautiful baby girl.

The name Harriett means "lord of the manor" and this was certainly true of this little lady in the first few weeks. She wasn't easy to settle, preferring to be held in her mum's arms all the time. And when she wanted something she knew how to shout for it! My daughter was exactly the same in the early months and I knew that we were going to have to be patient to get those angelic, sleeping images.

Whilst mum fed and settled Harriett I made cups of tea and photographed the sort of details that also make amazing memories. This is my favourite - the family's slippers lined up in a row!



Mum was also happy for me to take discreet pics of Harriett breastfeeding - I love the way she is soothing her daughter by stroking her temples.



When babies do take a while to settle, which is more often than not, I like to take pictures of mum and dad interacting with their baby, often catching very intimate and natural moments that reflect what it's like to be a new parent.



And when Harriett finally fell asleep the magic really started to happen. With the aid of a screen and fake flooring I'd created a simple backdrop with a lovely comfy bed for her in a vanity case and we'd got the heating set on tropical. Harriett's parents couldn't believe how it was possible to get such lovely images without them having to tidy up their lounge!



If you're expecting a baby and would like to enquire about a newborn shoot in the comfort of your own home, then please get in touch. I'd love to hear from you.

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

Monday, 30 December 2013

So you've had a lovely new D-SLR camera for Christmas - what now? By Cheshire Photographer Jane Burkinshaw


Santa has been very generous and has given you your first digital SLR camera for Christmas. You've taken it out of its box, charged the battery, inserted a memory card and attached the strap - all pretty straight forward so far. You've even worked out how to set the time, date and language. Then you've turned to the next section in the manual and probably lost the will to live after about 5 minutes! Do the manufacturers not realise that manuals are mainly read by relative beginners who don't yet know their f-stops from their focal lengths?! The manual goes back in the box (with the CDs containing some software stuff that you don't think you need) and you switch the camera to the familiar green Auto setting. You take some pictures that seem to turn out all right - isn't it nice to have no delay when you take a photo and to be using something that feels like a proper camera.

However, after a little while you get frustrated. Some of your pictures are blurred and the flash fires when you don't always want it to. You had thought that by getting a decent camera you would be able to take much better pictures. You know that you're not using it to its full capability, settling instead for the "safe" Auto setting. You also think you might need another lens too, as the one you have doesn't zoom very far, but you don't know where to start and worry that you could make an expensive mistake.

Well, don't despair, as you are far from alone and help is at hand! The quickest way by far to get to grips with your new camera is to book on a course. You don't need to embark on a year long evening course, a half day or full day workshop will get you off to a great start and you can always book another at a later stage as you progress. There are lots of courses available now and you just need to shop around a bit to find one local to you, at the right level and concentrating on the right photographic subject.

If you live in the Northwest of England then look no further! I've got a full programme of courses for 2014, including courses for parents, bloggers, flower enthusiasts, as well as general beginners. I also offer bespoke sessions tailored to your skills level, camera type and preferred area of photography. I offer advice on what kit you need and what you don't! Although the magic is made in camera, you also need to know how to edit your pictures and I can share my expertise on that too.

You can also learn a great deal from reading books and browsing the internet. Personally I've found that this is only really useful once you've done a course to understand the basics, as many books and blogs assume you already understand apertures, shutter speeds, focal lengths etc.

In the meantime, whilst you decide what is best for you, here are my top tips on how to get started with your new camera:

  • Shoot in natural daylight as much as possible - it's much nicer than flash. If indoors, open blinds & curtains and sit people so they are facing the window light.
  • Use the P (Program setting) instead of fully automatic, as it still does all the important stuff for you, but won't fire the flash automatically.
  • Look up in the manual how to see how fast your shutter speed is. To avoid blurred pictures it should be at least 1/125th of a second.
  • If it's slower than this then all you need to do is increase the ISO number. Look up how to do this in the manual and then increase it until it gives you the shutter speed you need.
  • If you have to use your flash then make sure you are no closer than 1 metre to your subject and no further away than 3 metres. Don't use the red eye setting, fix it later in a free editing programme like Picasa.
  • Have your camera out and ready to use all the time so that you get in to the habit of taking lots of pictures. And do take lots at this stage, as you will learn from your mistakes.
  • Look at other people's photographs  - in books, magazines and on forums like Flickr and Pinterest. Don't be afraid to copy their ideas in order to learn.
Good luck with your new gadget - with a bit of practise it will soon become your new best friend!

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

Thursday, 21 November 2013

What sort of camera should I ask Santa for? (By Cheshire Photographer Jane Burkinshaw)

If you are thinking of asking for a camera for Christmas from Santa (aka a generous loved one), you may well be a bit confused about what exactly to ask for. I'm going to try and simplify it a little for you, based on my experience of buying cameras. I currently own 2 compact cameras, a bridge camera and 3 DSLRs, quite a few lenses and a mountain of camera bags (I seem to have an inexplicable weakness for these and can always justify buying a new one!). Running workshops has also given me insight into what people are typically concerned about and confused by.

Your choice of camera depends on what you want it for - nothing like stating the obvious - and it's very difficult to recommend one option. It may be your first camera, or an extra to be used alongside existing cameras or you could be considering trading up to a more sophisticated camera. Hopefully this summary of the options available will help you decide. I've recommended a few models based on my personal experience but always read independent reviews before you buy.

Compact camera or camera phone
Image borrowed from http://www.all-things-photography.com/digital-compact.html

Both these formats offer convenience and ease and use. We can carry them with us all the time and quickly take photographs on a variety of AUTO settings. Images can be quickly edited and enhanced - often in camera / phone - and quickly shared with friends and family. Beginners and professionals alike use them on a day to day basis but they do have their limitations - here are some:

  • Delay after pressing the shutter.
  • Poor performance in low light.
  • Poor in camera flash.
  • Can be difficult to get soft focus backgrounds.
  • Despite their positioning as "point and shoot" cameras they can have incredibly complex and hard to navigate menus.
Briefly this is how I get the best results from my compact camera or camera phone:
  • Shoot in good natural daylight.
  • Avoid photographing subjects in bright sunlight - too much contrast with harsh light and dark shadows.
  • Shoot without flash whenever possible - even at night. If you increase the ISO value you can get a faster shutter speed. 
  • Think about composition as this is one element you can control.
  • Use apps such as Instagram and Retro Camera to take funky, creative shots.

Taken with Instagram or Retro Camera on Android Phone

Why buy a compact camera when you can use the camera on your phone?

It's a great question with the latest camera phones giving good images. The main disadvantage of the camera on phones is that most don't offer optical zoom, so any images taken with zoom are poor quality as they use digital zoom (just magnifies the pixels). You'll notice I say most as at the time of writing several manufacturers now offer a zoom lens built into a camera phone. With this recent development some are predicting the death of the standard compact camera as all its functionality is captured within the camera phone, or soon will be. I certainly wouldn't be considering buying a new compact camera at present, but I will be reading with great interest reviews of new phone cameras with optical zooms.

Image borrowed from http://www.photographyblog.com/category/Camera%20Phones
 Enthusiast Compact Cameras

I didn't make this category up, it does officially exist and describes more sophisticated and more expensive compact cameras. I own a Fujifilm X10 that falls into this category and I absolutely love it. The image quality is superior to any compact cameras I've owned, it does superb close up shots, I can get great soft focus backgrounds and it performs well in a wide variety of light conditions, including low light. It's only downfall is lack of significant zoom - only 4X, but I accept that and take it into account when I use it. If I'm going to the zoo and want to photograph animals in enclosures I don't take the X10!
Taken with Fujifilm X10
This camera and others like it are ideal as a second camera (to their DSLR) for the enthusiast or professional who demands a bit more from their compact camera and isn't frightened of exploring all its settings and capabilities.

Image courtesy of http://www.kenrockwell.com/fuji/x10.htm
Bridge Camera, Compact System Camera or DSLR?

Typically if you are considering upgrading from a compact you will be faced with deciding between a bridge camera or a camera with interchangeable lenses (compact system camera or DSLR).

Let's look at bridge cameras first. These are so called because they bridge the gap between compact cameras and cameras with interchangeable lenses. A bridge camera offers more sophisticated performance than your average compact and usually has a very powerful zoom lens. It's ideal for people who don't want the inconvenience of carrying and changing lenses, not to mention the expense.

There are some excellent bridge cameras available, with image stabilised lenses and lots of the features and controls of SLR cameras. I always recommend Panasonic if asked as I've never had a bad experience but there are lots of options and as ever I suggest you read the reviews. Here are some of the limitations versus DSLRs (I'll come to Compact System Cameras in a moment).

  • Still a slight delay after pressing the shutter.
  • Such a long zoom range (sometimes up to 60X) cannot possibly produce the image quality of most DSLR lenses. Having said that they will be perfectly good enough for the amateur photographer.
  • Poor performance in low light vs DSLRs as the camera sensor is smaller.
Compact System Cameras

Image borrowed from http://www.photographyblog.com/category/compact_system_camera/P20
These are a similar size to compact cameras but with interchangeable lenses and similar performance to entry level DSLRs. If you want the convenience of a small camera but the creativity and flexibility offered by having different lenses then this could be the ideal option. I've never used one and can't really justify getting one but It looks like they could have their place based on size alone . As they are a relative newcomer the range of lenses may be limited in the short term. I have also read that their autofocus system is not as  sophisticated as that of DSLRs, meaning that they may struggle to focus on rapidly moving subjects.

Digital Single Lens Reflex (SLR) cameras

Image borrowed from http://www.slrhut.co.uk
In my opinion and experience the performance of a DSLR cannot be equaled or beaten by any other camera type and if you are serious about photography - a keen amateur or considering going professional - then it's a no brainer. Yes, you have to spend money on lenses (the kit lens that comes with your DSLR body will have a disappointing zoom) and you will have to be prepared to carry lenses around and change them "in the field". But this comes at a small price when you consider the advantages of a DSLR:
  • No delay on pressing the shutter.
  • Better performance in low light than compact or bridge cameras.
  • More sophisticated auto focus and metering systems
  • Wide variety of lenses and accessories, offering unparalleled image quality and creativity.
DSLRs aren't for everyone, they are less convenient to carry around and it can prove expensive investing in lenses and accessories. But for some the barrier to trading up from a compact or bridge camera is because they think they'll be difficult to use, when in actual fact entry level DSLRs offer several fully automatic modes similar to those on compact cameras, as well as the more manual options.

To reiterate what I said at the beginning it's a very personal choice and you have to go with what feels right for you. Where possible borrow cameras from friends and try them out before you buy. If you're buying online make sure you've had chance to check the camera out in a shop first and held it.

I hope Santa is good to you - I'm not expecting too much this year as I had a very large lens from him last year and he's already warned me to only submit a small list with a price ceiling this year! :-(


I hope this was useful. If you have any questions please let me know. If you live in or near Cheshire why not book onto one of my courses and learn lots more!

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

Wednesday, 20 November 2013

How I got this shot (by Cheshire Photographer Jane Burkinshaw)



Click on image to enlarge

I got some lovely comments about this pic that I took and posted on Facebook yesterday. Just thought I'd share with you that I took it with a  compact camera on an automatic setting. Often it's about keeping an eye out for a nice shot where there's something interesting going on with the light and having your camera handy.

I was careful to ensure that the light was just peeking between the leaves and I could see on the LCD that it was creating a nice sunburst effect as opposed to lens flare (lines or circles of light across your shot when too much light shines directly into the light).

I also used that very handy and simple to remember composition tip The Rule Of Thirds (where you divide your shot into thirds horizontally and vertically). I made sure that the burst of light was roughly on the intersection of two of the imaginary lines.



Heres the techie stuff from the camera too in case you're interested.


  • Fujifil X10 - brilliant little compact camera (doesn't zoom very far but otherwise very good).
  • Shot in Program Mode (Auto but gives you a bit more control over certain settings and stops your flash firing automatically).
  • The camera automatically set the shutter speed at 1/320 (my subject was nice and bright) and an aperture of f/3.6, which is why the background is soft focus.
  • Flash off - flash would have killed this shot.
  • ISO 250 - we'd been walking through woods and I'd increased the ISO a little bit to make sure my shutter speed stayed at 1/60 at least, to ensure a steady shot.
  • The only editing I did was to crop it square as it looked much stronger that way, so I chopped of a bit of the bottom and the top. Normally I mess about a bit in Photoshop but this really didn't need it.

I hope this was useful. If you have any questions please let me know. If you live in or near Cheshire why not book onto one of my courses and learn lots more!

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!

Friday, 25 October 2013

Re-sizing images with Picasa (by Cheshire Photographer Jane Burkinshaw)

Collage created in Picasa
I'm always singing the praises of Picasa to people who come on my photography courses for beginners. After all it's FREE for the full version and has no annoying ads. Just a reminder of what you can do:

  • Easily view your images in one place.
  • Perform simple edits including removing blemishes.
  • Easily apply creative effects.
  • Add text.
  • Create collages, slideshows, online albums.
And it's so easy and user friendly! To go to Picasa's web page click on the link http://picasa.google.com

I only have one gripe and hopefully they're working on it as I've seen it mentioned by other people - how on earth do you re-size images to make them suitable for using online?! Given that 300 million photographs are uploaded to Facebook daily (!) you'd think there'd be an obvious  "re-size image" button on any editing package wouldn't you?!

You can re-size images with Picasa and even add a copyright statement but it's not obvious how. You have to select your images and hold them in the bottom left tray and then press EXPORT. Don't ask me why!
Click on image to see larger version

This is the pop up window you will see when you click EXPORT.

Click on image to see a larger version

Click on "Resize to" and then select the appropriate size (see my guide below). The maximum size shown is 1600 pixels but you can enter your own value that is higher or lower if you wish. I usually leave the image quality on Automatic. You can also see that you can use a watermark by entering some text and ticking the option.

It's important to specify where you would like the images to be exported to so that you can find them. I usually send them to the Desktop and then periodically delete them to clean up the desktop. Remember that your original files will still be preserved unchanged in their original location.

I usually re-size as follows:

400-600 pixels => to display on mobile phones.
600 pixels => if I want someone to see the image but not be able to print a decent version of it.
800-1000 pixels => for Facebook.
1500-2000 pixels => for Pinterest
2500 pixels => to result in an image that is between 1-2MB and could be printed 4"X6" or 5"X7".

I always copyright my professional pictures with a watermark.

These are based on what works for me.

If I'm emailing images I usually use Picasa's EMAIL button which automatically re-sizes them. Sometimes I EXPORT them first to apply the watermark and then EMAIL the exported images.

I hope this was all clear. If you have any questions please let me know.

If you live in or near Cheshire why not book onto one of my courses and learn lots more!

By Jane Burkinshaw. Share this post by clicking on one of the Share buttons on the right hand side. I'd love to hear your comments too!